FUTURE SEX LOVE ART PROJEKT · FILM 229 OF 250
FILM NO. 229
THE SPACE BETWEEN
‘THE SPACE BETWEEN’ is Missy Jubilee’s 229th film in the 250 film Future Sex Love Art Projekt. It is a film about monsters, victims & Stockholm Syndrome
About The Space Between The Space Between is Missy Jubilee’s 229th film in The Future Sex Love Art Projekt. It is a film about monsters, victims and Stockholm Syndrome, but its real subject is the grey area between those labels. The work asks what happens when closeness becomes coercive, when protection feels like danger, and when the person being watched begins to participate in the watching.
It is erotic art built around silence: the pause before a confession, the gap between a body and a story, and the space where memory rearranges itself to survive. As one of the strongest recent entries in the archive, this page should become a rich destination for viewers searching for Missy Jubilee’s latest films, award-winning erotic cinema, and the darker psychological edge of the 250-film project.
Credits
Written, directed, edited and produced by Missy Jubilee. Produced by Appaloosa Duck. Part of The Future Sex Love Art Projekt, a 250-film series exploring intimacy, identity, and the body.
More from the Projekt
The Space Between: Missy Jubilee’s Latest Vision in Experimental Cinema
by Tiger Massimo DeJulio
‘The Space Between’ is the newest addition to Missy Jubilee’s acclaimed Future Sex Love Art Projekt—a film series renowned for challenging norms around sexuality, identity, and personal growth. This release invites viewers into a raw, introspective journey that explores what it means to confront both monsters and victims within ourselves.
Film Overview
Missy Jubilee crafts ‘The Space Between’ with a blend of documentary, narrative, and avant-garde styles. The film’s bold imagery and emotional candour immerse audiences in a psychological journey filled with vulnerability and transformation. Each scene is designed to provoke self-reflection and deeper understanding of identity.
Creative Context
As part of the Future Sex Love Art Projekt, the film exemplifies Jubilee’s commitment to authentic storytelling and confronting societal taboos. ‘The Space Between’ stands apart for its direct autobiographical approach—facing shame, pain, and personal monsters with artistic courage.
Themes & Audience
Expect a deeply personal exploration of sexuality, power, and agency with Missy Jubilee’s signature visual style. The Space Between is crafted for anyone interested in sex-positive art, experimental film, and the complexities of human experience.
Conclusion
Missy Jubilee’s ‘The Space Between’ is more than a film; it’s an invitation to reflect, question, and grow. Dive in to discover a new dimension of contemporary cinema—where vulnerability is power and art is transformation.
Script review
Alan Rogers on this film
Alan Rogers is The Future Sex Love Art Projekt producer based in London. He reviews each Missy Jubilee film as a working screenplay.
THE SPACE BETWEEN Script Review
by Producer Alan Rogers in London
https://missyjubilee.com/films/229-the-space-between/
Subject: "The space between" · Sent: 08 Feb 2026
by Producer Alan Rogers in London
I swear these solar revolutions are getting shorter. I doubt my own memory more than anyone else's lately and it sucks.
It seems like an age since I last wrote. Probably was.
Sorry.
I saved a load of good advice meme's to quote in this letter. In the futile hope that it would impress you. Then second guessed that you would have read them all before. So I deleted them. Who even am I?
About your film:
Happiness is a state of mind
They say that you can think yourself happy. It's not as easy as it sounds though.
August 23th*, 1973. Day 1
*I saw what you did there.
Stockholm Syndrome. Old enough to know all about it. People become attracted to one another in the ...
You state that you can relate through a 14 year period. The implication of this is that you were su...
ACT 1: BAD DEAL\ Father figure with Little girl. Implication that the little girl is you. You had met a monster (is ...\ Someone got kidnapped. You fell in love.
ACT 2: CONVERSATION WITH A MONSTER\ Some lovely words here;\ 'the psychology of the victim is shaped by the actions and beliefs of the perpetrator'\ 'I interpreted his heartbeat to be some sort of morse code for his feelings, but maybe I was imagin... space between' beautiful.
ACT 3: YOU CAN SEE THE END OF THE WORLD FROM HERE\ It all starts in Crescent Head, NSW. Falling in love drove you mad. (Stir in a good portion of lust into that frying pan).
ACT 4: MA\ You explain that MA is the Japanese word for 'The Space Between'. You are educating us. Though this sounds more philosophical than practical. You then go on to explain that one of us is a monster (well I know it's not me...so it's you then...). ...
This referral to the 'other' self is disconcerting. We know it refers to a 'you' but we do not know...
The poem appears above your posterior:\ TO FREE ME IS TO TRUST THAT I AM SUPPOSED TO GO\ TO HOLD ONTO ME WHEN YOU SAY YOU NEED TO GROW\ IS TO SHOW ME THAT YOU KNOW THAT I DON'T BELONG HERE
ACT 6: THE TRAIN DOESN'T STOP HERE ANYMORE\ What happened to Act 5?
The monster has morphed into someone you loved. Not you at all. Sorry that sounded crass. It was no...
End credits roll over some kind of sex cabaret show. The music reminds me of your DJ mixes of yeste...
POSTSCRIPT: 50 YEARS AFTER STOCKHOLM BECAME A SYNDROME\ You then debunk the whole 'Stockholm Syndrome' thing. Ha Ha. Brilliant.
EPILOGUE: THE REVERSE VICTIMOLOGY HYPOTHETICAL\ Who is/was/could be, the monster? Did the monster enjoy being tortured? Is the space between good and evil there to allow both to co-exist?
When I first read 'MA' I misinterpreted it as 'Missing Action'. A kind of word-play along the lines...
But that is just my dumb chaotic, cluttered and stained mind.