Missy Jubilee X46 THE GRIM HUSTLE
https://missyjubilee.com/films/206-grim-hustle/

By Alan Rogers, London

Alan

There are are huge injustices in this world. One thing we cannot do is fight them all. We have to sweat the small stuff, and hope the bigger stuff takes care of itself.

I am reading a book by self confessed leather dyke; Pat Califa called ‘Public Sex’. It was written in the era of Aids and was a humane effort to bring to light how politicians and law enforcement agencies spent far too much effort and resource trying to discredit, and if possible arrest anyone performing anything other than vanilla heterosexual sex behind closed doors as a means of stopping the disease, when empathy, free condoms, and free needles would have gone far further and cost less.

But we know how this one goes. Its a fight that we continue to live with today.

Teen Pubescence

Alan

She makes some interesting points about the age of consent too. She is also a survivor of sexual abuse, but views the experience very differently to most victims. She does not shy away from the damage it has caused, but recognises sexuality in children, arguing that eroticism is present from birth, but that consent cannot be given for sexual experimentation until a being understands what they are consenting to.

The knowledge and understanding element is critical to this argument, as it is generally

judged that children’s understanding cannot be relied upon until they reach adulthood.

But the age at which children develop is not universal. It is likely to be much lower than the present laws dictate, but should remain high enough to protect the slow developers. I think we can all agree that education is the key here though. We need to arm our children with good sexual knowledge far earlier than we are currently comfortable with; know that sexuality is innocent (but there) in all children, but is not meant as an invitation, just a way of learning to express themselves.

Early teen pubescence will result in children becoming genital focused and experimenting with theirs and their peers genitals (naturally) whether we like it or not.

The important thing is to stop adults getting involved until consent is not only possible, but understood by all, We should protect the children more than we do. Particularly girls, who statistically suffer abuse far more than boys, and endure sexualisation by adults far younger than they should.

Chastity Leathers

Alan

The video opens with a girl in biker leathers trying to remove her chastity belt with an angle grinder. How apt. She must be desperate. Let’s hope the girl did not eat onions before the shoot, one fart and with that many sparks, her trousers will be on fire.

The poet Tom Waites sings us awake. He asks what we all want to know (including Missy), how’s it going to end?.

In the background to Tom’s growly delivery we see an overlay of public going about their business, with a naked masturbating Missy. The colour palette flickers between red and orange.

Roll Film

Alan

A desk appears upon which several things are arranged

TITLES

A French cartoon sketch book appears.

Always been a big fan of the comic book. Absolutely love the realism and creativity of Milo Manara. I have collected his works for years.

“Look, I was going to go easy on you, not to hurt your feelings” (Eminem dressed up as Max Headroom – or as we say in Britain…Keir Starmer).

Sound of ringing in ears after an explosion.

An orange coloured room appears with a backlit woman. She straightens her hair.

Script

A film about living inside the hot crazy matrix

Alan

Now I know what this is…. And believe me I find the whole concept so absurdly offensive that it is hilarious…I believe you are trying to prove how crazy you are, just to show that you register 10/10 on the hot/crazy matrix.

‘I can feel it….like somethings about to happen…’

Molotov cocktail is thrown through a window.

Sound of breaking glass.

‘On our plate tonight is an analogue horror series burned from an alternative reality gone awry’

SPONSORS

Rocket launch.

Michael Caine as Alfred talking to Christian Bale as Batman:

‘Some men just want to watch the world burn’

Script

Choosing my own direction was scary

Alan

‘The question is…why?’

FOR OTHERS

Close up on lips singing:

‘When we have fun’

‘Tell me you’ve never seen my face before?’

VHS style ‘PLAY’ infographic against blue screen, then Missy’s eyes of almost violet hue appear looking over

An extreme close up of a match head.

Script

Fire wants to burn. Chaos wants to devour

Alan

‘I have seen you before…in a dream’

Missy appears. We are looking up at her. She appears to have wet hair and is naked. It is not clear where we are but we can probably assume the beach which would explain the hair.

She is almost a silhouette against the sky. There are palm trees to the side. An overlay of fire igniting into a ball can be seen.

Script

Each of us is born with a box of matches inside us

Alan

‘Do you trust me?’

‘Is that a joke’

‘There’s something seriously wrong with you’

Script

But love, like fire & chaos, goes out without fuel

Alan

The overlay of fire turns to show the building into which the Molotov cocktail was thrown, now burning through the window. Missy has disappeared.

‘The first precept, is you will not inflict harm on any human being.’

Close up of match head again.

Burning photo of man holding a child on a wall.

Script

Hold out your ear

Alan

And let the breath of Venus warm your tender sensibilities.

‘Feel I’ve left out some important information …but that’s the gist of it’

Back to the burning building.

Man holding a mobile phone whilst wearing sunglasses in the dark.

Close up of an eye. Tinges of hazelnut.

Script

And catch a few whispers

Alan

‘Death, it frightens me and this is the basis of my inspiration’

Crazed man appears with very deep bags under his eyes, looking exhausted against a night cityscape which is blurred. Saying: ‘I thought you were just excited about the idea’

Close up of eye looking through keyhole.

‘You’re the one with the problem, not me’

Back to manic man:

*Laughing

Script

If you fall in love with fire

Alan

Person drawing a woman smoking a cigarette.

Tom starts lamenting again… ‘How’s it going to end’

Script

Don’t expect to get out unscathed

Alan

I think you mean that if anyone falls in love with you, then expect to get burned, this is self-deprecation to a new level.

Close up of a lighter being struck.

‘I’ve just got one piece of bad news for you Robbins’

‘What’s that?’

Close up of puppet Team America member saying:

‘I’m a smoker’

Rumbling sound.

Naked Missy appears before blinded windows, almost in silhouette. Purplish tone.

Script

Cue the harp music and the choir

Alan

Close up of Tim Robbins puppet looking gormless.

Script

Cue the burning pyre

Alan

Puppet Team America member throws puppet cigarette at fuel covered Tim Robbins puppet, which immediately bursts into flames

*Screams unconvincingly

Close up of a Barbie sign saying ‘REAL WORLD THIS WAY’

*Wooohooo

Aboriginal sounds. Black screen.

Script

27th october 2019 crescent head australia

Alan

Are we back to sanity now?

An old-fashioned ink pen dips into glass ink bottle the rest of the desk is in soft focus, dark sepia tones.

Script

Writing is easy

You just pick up a pen

Alan

The pen is used to write in a book. Same sepia tones.

‘I had a vision, people burning, everything destroyed’

Script

And bleed on the page

Alan

Older man with unusually dark hair blows at us from in front of what looks like a blackboard. And laughingly says:

‘The wind of God (The wind of God), on you’

So the answer is ‘no’ then…insanity continues.

Black screen..piano notes…

Script

The desire for control is unsettling.

Knowledge of everything isn’t possible

Unless you dictate the choices

Alan

‘The Mandino (not sure how to spell that) is a species of flowering plant native to Eastern Asia’

We see a man pick some leaves off a bush, hold them close to his nose, close his eyes and inhale.

‘The smell at certain times of the year gives you a real buzz’

Hint that some of the craziness is drug induced?

A house a night. Barely lit chair and book table with cup on it. Then Man at desk writng.

‘Like the buzz you get….

Screen goes black

…just before pulling the trigger…’

Man (in black and orange) holding out a gun and firing it.

Close up of very distressed blonde woman in black and white screaming, holding her ears then turning away.

*Screams

Screen goes black.

Drums.

Script

Do you ever get the feeling god is thinking ‘I think it’s time to reboot’

Alan

Shakespeare’s Sister’s ‘Stay’ plays, but sung by someone I do not recognise.

At first I thought you had just slowed the original to make it sound like it was a man, but I think this is an actual man singing.

Missy’s face comes into view. Purplish pink hue. We see her lips, then her eyes. It looks like the same shot shown earlier, but we see she is standing in front of a field…she may still be on a beach… we can only see in one direction.

Script

Life is loneliness

Despite all the opiates

Despite the tinsel gaiety

Alan

The camera travels down her face, and across to a bare shoulder.

Script

With no purpose

Alan

The camera pulls way to show Missy’s neck and lower half of her face.

Script

Despite the false grinning faces

Alan

WE ALL WEAR

Missy leans down, her hair falling into her face a she does so, towards the camera but just to the left of the lens. Camera phone?

Script

When at last you find someone

Alan

Close up of Missy’s eyes, with an overlay of a man holding his head in his hands

Script

To whom you feel

You can pour out your soul

Alan

Camera moves downwards so that Missy’s curtain of hair reveals a white sky and we see she is topless. The man continues to hold his head in the overlay

Script

You stop in shock

Alan

It is clear now that Missy has put the camera on the floor and is now shooting up her her naked torso from below. Her wet hair is blown by the wind in a tangle. The man continues to look depressed.

Script

At the words you utter

They are so rusty

Alan

Missy stretches her arms above her head and arcs her back in a luscul stretch. She is naked. We are looking up her body past her sex and belly to the underside of her breasts. The man is still there.

SO UGLY

The man moves and the overlay becomes blurred which in turn obscures Missy’s sex while she sways with

her hands behind her head, as we stare up between her legs.

Script

So meaningless

Alan

SO FEEBLE

Missy lowers her arms, while the man is seen singing the song being played.

Script

From being kept

In a small cramped dark room

Alan

Missy leans down so we see only the top half of her body. Her face remains obscured by the tangle of wet hair.

INSIDE YOU

Missy fondles her right breast. Then arches her back so we see between her legs. Her right hand comes down from her breast towards her sex. Her left hand has found her sex from behind between her legs.

FOR SO LONG

Missy looks down at us while she explores her sex.

Script

The loneliness of the soul

Alan

The man continues to sing in overlay as Missy starts to masturbate. She is seen in almost silhouette against the white sky. Nipples erect.

Script

And it’s appalling self-consciousness

Is horrible and overpowering

Alan

YES

Missy grips her sex with both hands, leaning back , she all but disappears from view, giving us a blurred but close up view of the man singing against the sky.

Script

I was in love with you

Alan

She quickly sways forward showing both hands cupping her sex, her index fingers pushing towards her

clitoris. She sways back again.

Script

No-one has ever heightened

Such emotional intensity in me

Alan

Missy is lost in the moment, masturbating with her right hand, to give herself more pleasure.

Script

But to give you my trust

I must first give you

My thoughts

Alan

Her left hand now moves towards her opening, Toying with herself, as she continues to use her right hand to masturbate.

MY MIND

MY DREAMS

Her right hand is now dipping into her wetness to lubricate the masturbation, The eyes of the man are

shown looking into the camera.

MY PAIN

MY FEARS

Script

But you wanted nothing of those

I had been convenient all along

I just hadn’t realised it

Alan

Missy removes her fingers from herself move off to the left of the camera.

Script

So I will just continue to create

And describe it well in good sentences

Alan

Missy appears to be climbing over the camera, as a way of giving the camera a better view of her sex.

Script

Writing is a substitute for myself

A way of reordering the chaos

That was dangerously close

Alan

The camera pans up her body to her breasts just as the song fades.

Screen goes black.

Script

Dedicated to sylvia plath

Alan

Yes you have quoted Plath, but made the words your own. Very nicely done Ms Jubilee. This is a

heartbreaking poem.

A sweaty looking man (actor) I do not recognise appears looking to the left of the camera. It is dark and he is lit from behind. Purple/Pink hues. He says:

‘There was one man’

*Beep

Screen goes purple.

Snippet of music.

A bearded Chris Pratt in Black and Orange appears saying:

‘Yeah…I don’t know…l mean I’m gonna have to find something in my real life on which to draw….ok I got it…’

Man appears in front of whiteboard. He is slightly overweight, slightly balding and wearing wire rimmed

glasses. He is wearing casual trousers with a white shirt.

He addresses the camera saying:

‘Ok so this is the universal hot crazy matrix it is everything a young man needs to know about women… I developed this myself…aRer 46 years of living on the earth…so this is how it works…He turns and draws two axis on the whiteboard

The biggest joke here is not the fact that the man is an uglier version of Michael Scott from the Office USA, but more that he is sincere in his delivery of his hypothesis.

I guess it is no more crazy than some of the bizarre rules and laws the patriarchy has inflicted on women all over the world, and is certainly less harmful… but as they sing in that Avenue Q song…’racist jokes may be uncouth, but we laugh because they’re based on truth’…

TITLES

You have your crazy axis and your hot axis…hot is as usual measured from zero to ten… we are all familiar with that… crazy is measured from four to ten because of course there is no such thing as a woman that is not at least a four crazy…

Camera adjusts to get a better look at what he is drawing.

So you’ve got four to ten..this is your hot/crazy line right here…

Draws a linear line from 0 hot 4 Crazy to 10 hot, 10 Crazy.

it’s very important that you keep in mind where the hot/crazy line is….as a rule…

He writes 5 halfway along the Hot axis and draws a vertical line straight up bisecting the hot/crazy line.

this is your no-go zone…we do not hang around…and date… and marry women that are not at least in our

mind, a five…He starts to hash in the area to the left of the line he has just drawn and labels this area with the word NO GO.

…so this is your no-go zone, we just rule it out… life is better this way…that’s the way it is..alright?… above a five and to about an eight …

He draws a line from the hot/crazy line down to the hot axis where he writes the number eight.

…and below the crazy line, this is your fun zone…you can hang out here and, and, and er..meet these girls

and spend time with them…

He labels this area ‘Fun Zone’.

.that’s your fun zone…but keep in mind that when you’re in the fun zone..you want to move out of the fun zone to a more permanent location…ok…um…so that’s the fun zone…above a five…hot… and below an eight..hot.. and below the crazy line…this means that these are…most of the time…not crazy..ok?…above the danger zone… above the.. ah…above the crazy line..

He writes above the hot/crazy line to the right of the midpoint hot line the label ‘Danger Zone’.

…we have the danger zone…this is your redheads…your strippers…anyone named Tiffany..um…*swallows…(hairdressers)..hairdressers….this is where…this is where your car gets keyed…you get a bunny in the

pot…your tyres get slashed..and you wind up in jail..um..now… now we have some of the chart filled in…we have a couple of pieces left to put in…but at this point..understand something… this is not a static environment…this is a situation where you have got to …ah…use this matrix over time to develop some reliable data…it’s like a dope chart . .ok?…you…want. ..because at any moment in time…any women that you have previously located on this chart can vanish…from that location…and appear anywhere else …on the chart..so what you have to do is over time..collect some data…and once you have a cluster of datapoints you can consider that reliable…now…moving on..

He draws a horizontal line at around 7 crazy to the right of the line from 8 hot to the hot/crazy line.

you have this zone here… this is below the crazy line…above an eight hot.. but still about a seven crazy…this your date zone…

He labels the top part of the two zones left, ‘Date Zone’.

…you can stay in the date zone indefinitely…these are women you introduce to your friends and your family…um..there..there good looking and they are reasonably not crazy most of the time… ok..so listen..you can stay here indefinitely…now ..

He draws a horizontal line to divide the one remaining zone into two.

This is around 5 crazy and between and 10 hot…above an eight hot.. and between about a seven and a five crazy..this your wife zone.. ok..

…when you meet this girl …you should consider a long term relationship…ah.. this zone is not scaled to size..this is …this…this is a representation and not an actual..this not a pie chart showing you how many of these people are out there…this is simply a representation of what you’re after…you want to be five or seven crazy above an eight hot..that’s your wife zone.. now… below a five crazy and above an eight hot.. this is your unicorn zone…these things don’t exist….(women laughing)

He labels the one remaining zone ‘Unicorns’.

….if you find a unicorn..please capture it safely…keep it alive…we’d like to study it and look at how to replicate that…(sniggering)

ok…so I was explaining this to a guy one time and he said ‘wait a minute..I met this girl..and she’s smoking hot..she’s at least a nine.. and she’s like chill…she’s totally cool…she’s not like even a three crazy’…

I said you’re telling me…you’ve met a girl…she’s a nine hot.. and she’s like two or three

crazy?…he said ‘yeah man…I like her a lot’…

I said you should be careful…that’s a dude…you’re talking to a tranny…(laughter) so you got your…you’ve got to be careful…cos..down here…below a four crazy and above an eight hot…your’e probably talking to a dude…that is the universal hot/crazy matrix’.

I very much liked the feel of this film, it is driven by the final lecture.

There is a frantic start where images and sounds are thrown like fireworks, then settles into a middle section giving your erotic take on Plath, slowing further down to the final lecture in full.

Given no context to the lecture it is up to us to decide whether it is a comedian playing to an audience, or someone who truly believes in what he is saying.

I researched it a little and found the original video comes from a series of tactical response (shots fired) lectures from a Tennessee gun lover called James Yeager, and realised this guy is not only deadly serious (he believes what he is saying is true), but he is joined by other ‘people’ who also believe what he is saying is true. Unbelievable.

The world is mad. That much we know. We are on a flight path to destruction and the patriarchy wants to arm itself and categorise half the population as submissive to its needs in readiness. Jeez Louise.

These really are un-evolved Neanthethals.

There are are huge injustices in this world. One thing we cannot do is fight them all. We have to sweat

the small stuff, and hope the bigger stuff takes care of itself.

I am reading a book by self confessed leather dyke; Pat Califa called ‘Public Sex’. It was written in the

era of Aids and was a humane effort to bring to light how politicians and law enforcement agencies

spent far too much effort and resource trying to discredit, and if possible arrest anyone performing

anything other than vanilla heterosexual sex behind closed doors as a means of stopping the disease,

when empathy, free condoms, and free needles would have gone far further and cost less.

But we know how this one goes. Its a fight that we continue to live with today.

She makes some interesting points about the age of consent too. She is also a survivor of sexual abuse,

but views the experience very differently to most victims. She does not shy away from the damage it

has caused, but recognises sexuality in children, arguing that eroticism is present from birth, but that

consent cannot be given for sexual experimentation until a being understands what they are

consenting to.

The knowledge and understanding element is critical to this argument, as it is generally

judged that children’s understanding cannot be relied upon until they reach adulthood.

But the age at which children develop is not universal. It is likely to be much lower than the present laws dictate, but should remain high enough to protect the slow developers. I think we can all agree that education is the key here though. We need to arm our children with good sexual knowledge far earlier than we are currently comfortable with; know that sexuality is innocent (but there) in all children, but is not meant as an invitation, just a way of learning to express themselves.

Early teen pubescence will result in children becoming genital focused and experimenting with theirs and their peers genitals (naturally) whether we like it or not.

The important thing is to stop adults getting involved until consent is not only possible, but understood by all, We should protect the children more than we do. Particularly girls, who statistically suffer abuse far more than boys, and endure sexualisation by adults far younger than they should.

The video opens with a girl in biker leathers trying to remove her chastity belt with an angle grinder. How

apt. She must be desperate. Let’s hope the girl did not eat onions before the shoot, one fart and with that

many sparks, her trousers will be on fire.

The poet Tom Waites sings us awake. He asks what we all want to know (including Missy), how’s it going to end?.

In the background to Tom’s growly delivery we see an overlay of public going about their business, with a

naked masturbating Missy. The colour palette flickers between red and orange.

A desk appears upon which several things are arranged

TITLES

A French cartoon sketch book appears.

TITLES

A French cartoon sketch book appears.

Always been a big fan of the comic book. Absolutely love the realism and creativity of Milo Manara. I

have collected his works for years.

“Look, I was going to go easy on you, not to hurt your feelings” (Eminem dressed up as Max Headroom – or as we say in Britain…Keir Starmer).

Sound of ringing in ears after an explosion.

An orange coloured room appears with a backlit woman. She straightens her hair.

Script

A film about living inside the hot crazy matrix

Alan

Now I know what this is…. And believe me I find the whole concept so absurdly offensive that it is

hilarious…I believe you are trying to prove how crazy you are, just to show that you register 10/10 on

the hot/crazy matrix.

‘I can feel it….like somethings about to happen…’

Molotov cocktail is thrown through a window.

Sound of breaking glass.

‘On our plate tonight is an analogue horror series burned from an alternative reality gone awry’

SPONSORS

Rocket launch.

Michael Caine as Alfred talking to Christian Bale as Batman:

‘Some men just want to watch the world burn’

Script

Choosing my own direction was scary

Alan

‘The question is…why?’

FOR OTHERS

Close up on lips singing:

‘When we have fun’

‘Tell me you’ve never seen my face before?’

VHS stlyee ‘PLAY’ infographic against blue screen, then Missy’s eyes of almost violet hue appear looking over

An extreme close up of a match head.

Script

Fire wants to burn. Chaos wants to devour

Alan

‘I have seen you before…in a dream’

Missy appears. We are looking up at her. She appears to have wet hair and is naked. It is not clear where we are but we can probably assume the beach which would explain the hair.

She is almost a silhouette against the sky. There are palm trees to the side. An overlay of fire igniting into a ball can be seen.

Script

Each of us is born with a box of matches inside us

Alan

‘Do you trust me?’

‘Is that a joke’

‘There’s something seriously wrong with you’

Script

But love, like fire & chaos, goes out without fuel

Alan

The overlay of fire turns to show the building into which the Molotov cocktail was thrown, now burning

through the window. Missy has disappeared.

‘The first precept, is you will not inflict harm on any human being.’

Close up of match head again.

Burning photo of man holding a child on a wall.

Script

Hold out your ear

Alan

And let the breath of Venus warm your tender sensibilities.

‘Feel I’ve left out some important information …but that’s the gist of it’

Back to the burning building.

Man holding a mobile phone whilst wearing sunglasses in the dark.

Close up of an eye. Tinges of hazelnut.

Script

And catch a few whispers

Alan

‘Death, it frightens me and this is the basis of my inspiration’

Crazed man appears with very deep bags under his eyes, looking exhausted against a night cityscape which is blurred. Saying:

‘I thought you were just excited about the idea’

Close up of eye looking through keyhole.

‘You’re the one with the problem, not me’

Back to manic man:

*Laughing

Script

If you fall in love with fire

Alan

Person drawing a woman smoking a cigarette.

Tom starts lamenting again… ‘How’s it going to end’

Script

Don’t expect to get out unscathed

Alan

I think you mean that if anyone falls in love with you, then expect to get burned, this is self deprecation

to a new level.

Close up of a lighter being struck.

‘I’ve just got one piece of bad news for you Robbins’

‘What’s that?’

Close up of puppet Team America member saying:

‘I’m a smoker’

Rumbling sound.

Naked Missy appears before blinded windows, almost in silhouette. Purplish tone.

Script

Cue the harp music and the choir

Alan

Close up of Tim Robbins puppet looking gormless.

Script

Cue the burning pyre

Alan

Puppet Team America member throws puppet cigarette at fuel covered Tim Robbins puppet, which

immediately bursts into flames

*Screams unconvincingly

Close up of a Barbie sign saying ‘REAL WORLD THIS WAY’

*Wooohooo

Aboriginal sounds. Black screen.

Script

27th october 2019 crescent head australia

Alan

Are we back to sanity now?

An old fashioned ink pen dips into glass ink bottle the rest of the desk is in soft focus, dark sepia tones.

Script

Writing is easy

You just pick up a pen

Alan

The pen is used to write in a book. Same sepia tones.

‘I had a vision, people burning, everything destroyed’

Script

And bleed on the page

Alan

Older man with unusually dark hair blows at us from in front of what looks like a blackboard. And laughingly says:

‘The wind of God (The wind of God), on you’

So the answer is ‘no’ then…insanity continues.

Black screen..piano notes…

Script

The desire for control is unsettling.

Knowledge of everything isn’t possible

Unless you dictate the choices

Alan

‘The Mandino (not sure how to spell that) is a species of flowering plant native to Eastern Asia’

We see a man pick some leaves off a bush, hold them close to his nose, close his eyes and inhale.

‘The smell at certain times of the year gives you a real buzz’

Hint that some of the craziness is drug induced?

A house a night. Barely lit chair and book table with cup on it. Then Man at desk writng.

‘Like the buzz you get….

Screen goes black

…just before pulling the trigger…’

Man (in black and orange) holding out a gun and firing it.

Close up of very distressed blonde woman in black and white screaming, holding her ears then turning away.

*Screams

Screen goes black.

Drums.

Script

Do you ever get the feeling god is thinking ‘I think it’s time to reboot’

Alan

Shakespeare’s Sister’s ‘Stay’ plays, but sung by someone I do not recognise.

At first I thought you had just slowed the original to make it sound like it was a man, but I think this is an actual man singing.

Missy’s face comes into view. Purplish pink hue. We see her lips, then her eyes. It looks like the same shot

shown earlier, but we see she is standing in front of a field…she may still be on a beach… we can only see in one directon.

Script

Life is loneliness

Despite all the opiates

Despite the tinsel gaiety

Alan

The camera travels down her face, and across to a bare shoulder.

Script

With no purpose

Alan

The camera pulls way to show Missy’s neck and lower half of her face.

Script

Despite the false grinning faces

Alan

WE ALL WEAR

Missy leans down, her hair falling into her face a she does so, towards the camera but just to the left of the lens. Camera phone?

Script

When at last you find someone

Alan

Close up of Missy’s eyes, with an overlay of a man holding his head in his hands

Script

To whom you feel

You can pour out your soul

Alan

Camera moves downwards so that Missy’s curtain of hair reveals a white sky and we see she is topless. The man continues to hold his head in the overlay

Script

You stop in shock

Alan

It is clear now that Missy has put the camera on the floor and is now shooting up her her naked torso from below. Her wet hair is blown by the wind in a tangle. The man continues to look depressed.

Script

At the words you utter

They are so rusty

Alan

Missy stretches her arms above her head and arcs her back in a luscul stretch. She is naked. We are looking up her body past her sex and belly to the underside of her breasts. The man is still there.

SO UGLY

The man moves and the overlay becomes blurred which in turn obscures Missy’s sex while she sways with

her hands behind her head, as we stare up between her legs.

Script

So meaningless

Alan

SO FEEBLE

Missy lowers her arms, while the man is seen singing the song being played.

Script

From being kept

In a small cramped dark room

Alan

Missy leans down so we see only the top half of her body. Her face remains obscured by the tangle of wet hair.

INSIDE YOU

Missy fondles her right breast. Then arches her back so we see between her legs. Her right hand comes down from her breast towards her sex. Her left hand has found her sex from behind between her legs.

FOR SO LONG

Missy looks down at us while she explores her sex.

Script

The loneliness of the soul

Alan

The man continues to sing in overlay as Missy starts to masturbate. She is seen in almost silhouette against the white sky. Nipples erect.

Script

And it’s appalling self-consciousness

Is horrible and overpowering

Alan

YES

Missy grips her sex with both hands, leaning back , she all but disappears from view, giving us a blurred but close up view of the man singing against the sky.

Script

I was in love with you

Alan

She quickly sways forward showing both hands cupping her sex, her index fingers pushing towards her

clitoris. She sways back again.

Script

No-one has ever heightened

Such emotional intensity in me

Alan

Missy is lost in the moment, masturbating with her right hand, to give herself more pleasure.

Script

But to give you my trust

I must first give you

My thoughts

Alan

Her left hand now moves towards her opening, Toying with herself, as she continues to use her right hand to masturbate.

MY MIND

MY DREAMS

Her right hand is now dipping into her wetness to lubricate the masturbation, The eyes of the man are

shown looking into the camera.

MY PAIN

MY FEARS

Script

But you wanted nothing of those

I had been convenient all along

I just hadn’t realised it

Alan

Missy removes her fingers from herself move off to the left of the camera.

Script

So I will just continue to create

And describe it well in good sentences

Alan

Missy appears to be climbing over the camera, as a way of giving the camera a better view of her sex.

Script

Writing is a substitute for myself

A way of reordering the chaos

That was dangerously close

Alan

The camera pans up her body to her breasts just as the song fades.

Screen goes black.

Script

Dedicated to sylvia plath

Alan

Yes you have quoted Plath, but made the words your own. Very nicely done Ms Jubilee. This is a

heartbreaking poem.

A sweaty looking man (actor) I do not recognise appears looking to the left of the camera. It is dark and he is lit from behind. Purple/Pink hues. He says:

‘There was one man’

*Beep

Screen goes purple.

Snippet of music.

A bearded Chris Pratt in Black and Orange appears saying:

‘Yeah…I don’t know…l mean I’m gonna have to find something in my real life on which to draw….ok I got it…’

Man appears in front of whiteboard. He is slightly overweight, slightly balding and wearing wire rimmed

glasses. He is wearing casual trousers with a white shirt.

He addresses the camera saying:

‘Ok so this is the universal hot crazy matrix it is everything a young man needs to know about women… I

developed this myself…aRer 46 years of living on the earth…so this is how it works…

He turns and draws two axis on the whiteboard

The biggest joke here is not the fact that the man is an uglier version of Michael Scott from the Office

USA, but more that he is sincere in his delivery of his hypothesis.

I guess it is no more crazy than some of the bizarre rules and laws the patriarchy has inflicted on women all over the world, and is certainly less harmful… but as they sing in that Avenue Q song…’racist jokes may be uncouth, but we laugh because they’re based on truth’…

TITLES

You have your crazy axis and your hot axis…hot is as usual measured from zero to ten… we are all familiar

with that… crazy is measured from four to ten because of course there is no such thing as a woman that is

not at least a four crazy…

Camera adjusts to get a better look at what he is drawing.

So you’ve got four to ten..this is your hot/crazy line right here…

Draws a linear line from 0 hot 4 Crazy to 10 hot, 10 Crazy.

it’s very important that you keep in mind where the hot/crazy line is….as a rule…

He writes 5 halfway along the Hot axis and draws a vertical line straight up bisecting the hot/crazy line.

this is your no-go zone…we do not hang around…and date… and marry women that are not at least in our

mind, a five…He starts to hash in the area to the left of the line he has just drawn and labels this area with the word NO GO.

…so this is your no-go zone, we just rule it out… life is better this way…that’s the way it is..alright?… above a five and to about an eight …

He draws a line from the hot/crazy line down to the hot axis where he writes the number eight.

…and below the crazy line, this is your fun zone…you can hang out here and, and, and er..meet these girls

and spend time with them…

He labels this area ‘Fun Zone’.

.that’s your fun zone…but keep in mind that when you’re in the fun zone..you want to move out of the fun

zone to a more permanent location…ok…um…so that’s the fun zone…above a five…hot… and below an

eight..hot.. and below the crazy line…this means that these are…most of the time…not crazy..ok?…above the danger zone… above the.. ah…above the crazy line..

He writes above the hot/crazy line to the right of the midpoint hot line the label ‘Danger Zone’.

…we have the danger zone…this is your redheads…your strippers…anyone named Tiffany..um…*swallows…

(hairdressers)..hairdressers….this is where…this is where your car gets keyed…you get a bunny in the

pot…your tyres get slashed..and you wind up in jail..um..now… now we have some of the chart filled in…we have a couple of pieces left to put in…but at this point..understand something… this is not a static

environment…this is a situation where you have got to …ah…use this matrix over time to develop some

reliable data…it’s like a dope chart . .ok?…you…want. ..because at any moment in 7me…any women that you have previously located on this chart can vanish…from that location…and appear anywhere else …on the chart..so what you have to do is over time..collect some data…and once you have a cluster of datapoints you can consider that reliable…now…moving on..

He draws a horizontal line at around 7 crazy to the right of the line from 8 hot to the hot/crazy line.

you have this zone here… this is below the crazy line…above an eight hot.. but still about a seven crazy…this your date zone…

He labels the top part of the two zones left, ‘Date Zone’.

…you can stay in the date zone indefinitely…these are women you introduce to your friends and your

family…um..there..there good looking and they are reasonably not crazy most of the time… ok..so listen..you can stay here indefinitely…now ..

He draws a horizontal line to divide the one remaining zone into two.

This is around 5 crazy and between and 10 hot…above an eight hot.. and between about a seven and a five crazy..this your wife zone.. ok..

…when you meet this girl …you should consider a long term relationship…ah.. this zone is not scaled to

size..this is …this…this is a representation and not an actual..this not a pie chart showing you how many of

these people are out there…this is simply a representation of what you’re after…you want to be five or seven crazy above an eight hot..that’s your wife zone.. now… below a five crazy and above an eight hot.. this is your unicorn zone…these things don’t exist….(women laughing)

He labels the one remaining zone ‘Unicorns’.

….if you find a unicorn..please capture it safely…keep it alive…we’d like to study it and look at how to

replicate that…(sniggering)

ok…so I was explaining this to a guy one time and he said ‘wait a minute..I met this girl..and she’s smoking hot..she’s at least a nine.. and she’s like chill…she’s totally cool…she’s not like even a three crazy’…

I said you’re telling me…you’ve met a girl…she’s a nine hot.. and she’s like two or three

crazy?…he said ‘yeah man…I like her a lot’…

I said you should be careful…that’s a dude…you’re talking to a tranny…(laughter) so you got your…you’ve got to be careful…cos..down here…below a four crazy and above an eight hot…your’e probably talking to a dude…that is the universal hot/crazy matrix’.

I very much liked the feel of this film, it is driven by the final lecture.

There is a frantic start where images and sounds are thrown like fireworks, then settles into a middle section giving your erotic take on Plath, slowing further down to the final lecture in full.

Given no context to the lecture it is up to us to decide whether it is a comedian playing to an audience,

or someone who truly believes in what he is saying.

I researched it a little and found the original video comes from a series of tactical response (shots fired) lectures from a Tennessee gun lover called James Yeager, and realised this guy is not only deadly serious (he believes what he is saying is true), but he is joined by other ‘people’ who also believe what he is saying is true. Unbelievable.

The world is mad. That much we know. We are on a flight path to destruction and the patriarchy wants

to arm itself and categorise half the population as submissive to its needs in readiness. Jeez Louise.

These really are un-evolved Neanthethals.