In 2011, a woman in Australia began filming herself. Not for a client. Not for a platform. Not for anyone in particular. She filmed herself because she had a story to tell that she couldn’t tell any other way — a story about her own body, her own sexuality, her own history of desire and damage and survival.

Fifteen years later, that project has produced 230 films. It has accumulated 264 million views. It has won 363 international film festival awards. It has been covered by Rolling Stone. It has screened in New York, London, Paris, Berlin, Tokyo, Rome, Madrid, Sydney, and Singapore.

It is called the Future Sex Love Art Projekt. And it is unlike anything else in the history of cinema.

What It Is

The Future Sex Love Art Projekt is an ongoing series of autobiographical short films made by Australian filmmaker Missy Jubilee. Each film is a direct document of her life — her sexuality, her psychology, her relationships, her confrontations with shame, desire, identity, and the body she inhabits.

The films range in length from two minutes to forty. They use music, narration, visual art, performance, and explicit imagery as a unified language. They are not documentaries in the traditional sense. They are not fiction. They occupy a category that has no established name — somewhere between essay film, performance art, and autobiography.

The first film, 001 POOL DAY, was made in 2011. The most recent, 230 GOON GIRL PREVIEW, was made in 2025. The project is still ongoing.

What Makes It Unique

There is no comparable body of work in cinema. No other filmmaker has made 230 consecutive autobiographical films over fifteen years, all centred on a single life and a single evolving perspective on female sexuality.

The closest analogues are the diary films of Jonas Mekas, the personal documentaries of Agnes Varda, or the video confessionals of early internet performance artists — but none of these projects exist at this scale, with this level of explicitness, made by a woman, about a woman’s sexuality, authored entirely by that woman, without institutional support or distribution infrastructure.

The Future Sex Love Art Projekt was built from the outside, against resistance at every level of the content distribution system. It survived the removal of its Vimeo account, the suspension of its Patreon funding, the termination of PayPal and Stripe payments. It has been classified as pornography by automated systems that cannot distinguish authorship from commerce. It has survived all of it.

The Awards

363 international film festival wins is not a vanity metric. It is the record of how professional cinema juries — people whose job is to evaluate film — have assessed this work across fourteen years of submissions.

The awards span every inhabited continent. They include: Best Web Series, Best Experimental Film, Best Erotic Film, Best Documentary, Best Director, Best Short Film, and multiple special achievement awards. They come from festivals in the United States, United Kingdom, France, Germany, Italy, Spain, Australia, Singapore, Japan, Turkey, Brazil, Czech Republic, Sweden, and dozens of other countries.

The most recent awards include Best Web Series at the Miami Film Critics Awards, Best Web Series at the Madrid Arthouse Film Festival, and a Winner designation from the Future of Film Awards in New York.

The Films

The 230 films span every register of human experience: desire, violence, grief, humour, rage, tenderness, shame, pride, confusion, and clarity. Some of the most important films in the project include:

Where to Start

If you are new to the project, the best entry points are the films that explicitly address what the project is: 152 BEING MISSY JUBILEE (the self-portrait), 080 POPPORN (the manifesto), and 173 NUMB (the emotional centre).

If you want the full arc of the project, start from the beginning: 001 POOL DAY.

All 230 films are available here: missyjubilee.com/films.

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